In September 1987, ISKCON Bangalore was operating from a rented house in the city with a handful of devotees. Under the leadership of the temple president, Madhu Pandit Dasa, ISKCON Bangalore applied for a 7acre hillock from the Bangalore Development Authority (BDA).
The BDA had described it as “karaab land” (waste land) as it was a huge piece of monolithic rock and could not be converted into sites. The BDA sanctioned the land at a cost of Rs. 11 lakhs to be paid in 90 days.
The BDA had described it as “karaab land” (waste land) as it was a huge piece of monolithic rock and could not be converted into sites. The BDA sanctioned the land at a cost of Rs. 11 lakhs to be paid in 90 days. With practically no resources in hand, the team of devotees managed to collect the sum partly with the help of some donors and partly through loan. On Lord Balarama’s appearance day of September 1988, the Deities of Krishna Balarama moved to a temporary shed on this land.
The master plan of the project on the Hare Krishna Hill was conceived by Sri Madhu Pandit Dasa, who is a qualified civil engineer from IIT (Mumbai). The initial concept as it stood from outside was conceived by Jagat Chandra Dasa who is a product engineer from IIT (Mumbai). The unique combination of glass and gopuram, blended modern and traditional elements. Considering the nature of the sloping rocky hillock, this unique concept was
further developed architecturally into the present design as it stands by Madhu Pandit Dasa and Bhakti Lata Devi. The entire team of devotees of ISKCON Bangalore were strongly motivated by an intense desire to make this a grand and memorable temple, to be completed and offered to His Divine Grace A C Bhaktivedanta Swami Prabhupada. Various fund raising schemes were launched to engage the people in this devotional endeavor. Apart from the life membership scheme, sponsors of gopuram, kalashas and vimanas were enrolled.
The whole construction was carried out by the ISKCON Construction Department. Between 1990 and 1997 a total of 10 million man-hours were put by 600 skilled craftsmen, 32,000 cubic meters of stone, 131,250 tones of cement and 1,900 tones of steel were used.
The architecture is a combination of traditional Karnataka and modern styles to give the aesthetic style as well as the best of latest scientific technology. .
The gopurams were made with special technology using Ferro cement. It is for the first time this technology has been used for temples. The basic structure is a main frame of steel and wire mesh covered with cement and concrete of around 6 inch that adds to the dynamics of the structure. The rest is stone and mortar. The unique glass clad connections to the four gopurams makes this temple stand out from the rest of the conventional ones. The glass specially imported from the US is sea blue 6 mm heat strengthened glass.
The 36 feet high and 18 feet base, intricately designed and gold plated kalasham was placed on top by a chain pulley from the floor level to the top about 150 feet high. This was engineering feat considering the risk of lifting 1.5 tones of gold plated kalasham going over a glass canopy to a height of 150 feet.
Grande Finale
The original simple temple design started in 1990 and estimated to cost Rs.10 crore gave way to a more stunning, unique architectural model that costed Rs.32 crores and that today represents a fusion between majestic traditional styles and bold new aesthetics. More astonishing is the fact that all these funds were raised from within Karnataka alone.
The prathistha ceremonies or Deity installation ceremonies was conducted in the month of April 1997. The yajnas were held for continuous 45 days non-stop. On 31st May 1997, the President of India Dr. Shankar Dayal Sharma inaugurated the Sri Radha Krishna Chandra Temple and Sri Chaitanya Mahaprabhu Cultural Complex.
“It gives me immense pleasure to associate myself with the inauguration of this Center For Advancement of Culture of International Society for Krishna Consciousness (ISKCON) here in Bangalore. This magnificent complex, a blend of tradition and modernity, is a symbol of the dedication and devotion of ISKCON to the cause of bhakti and service. It is an architectural landmark. I congratulate all those who have worked tirelessly to set up this splendid edifice.”
Dr. Shankar Dayal Sharma
President of India
31st May 1997
Main Temple Hall
As you enter the main garbhagriha or the main temple, it leads you to the main hall of 9000 square feet with a free span of 100 feet and height of 60 feet and around 2000 people can take darshan at a time. The main altars have 3 gold plated vimanas. The main Deities are made of 5 metals or panchaloha and are gold plated. The temple hall also has 6 galleries with 40 windows.
There are three main dwaras to the temple hall facing North, East and West.All around the temple is an inner passage or inner prakara, then outer prakara for the movement of the rath or the palanquin during festival times.
The 56 feet gold plated Dwajastambha is tallest of its kind in the world, so also the 36 feet X 18 feet gold plated gopuram which is the biggest in the world.
Dwarakapuri Hall
Dwarakapuri Hall
The kalyana mantap and Vedic samskara hall is available for vivaha yajnas and any such Vedic samskaras and celebrations. This hall offers the rare and sacred privilege ofperforming auspicious functions in Lord Krishna’s beautiful temple.
Life size animated dolls of Ajamila, three Visnudutas and the three Yamadutas Audio Animatronics
A computer controlled multi-imageAudio animatronics presentation Breathtakingpanoramic visuals, stunningly beautiful and gracefully animated figures sailing in air, gruesome ugly creatures appearing and disappearing in mid-air, digital surround sound effects, specialized theatrical lighting, smoke and lighting,smoke and fog effects,artistic collages of slide and video images – all precision controlled by a computer, designed to
create an unforgettable 40 minute experience to effectively communicate the most important messages from the Vedic scriptures.
Pravachan Hall
Pravachan Hall
Daily discourses on the Srimad Bhagavatam (8 am) and Bhagavad gita (6 pm) are held in the pravachan hall. During other times the devotees are available to answer any genuine spiritual enquiry from the visitors. At the ISKCON temple, devotees are eager to share with visitors, the wealth of Vedic wisdom.
Life size murti of Srila Prabhupada A life size murti of Srila Prabhupada adorns the expo room where Srila Prabhupada’s various preaching achievements are displayed. Visitors are struck at the look alike real size murti.
Guest House Room
Guest Room
A four storied guesthouse with 40 rooms for life members and visitors. ISKCON life members can take the privilege of staying in a temple atmosphere, partaking in the temple programs and prasadam to gain a totally spiritual enlivening experience – away from the hustle and bustle of daily life.
Dakshinakriti Dakshinakriti – Promoting and Preserving Vedic Art
ISKCON Bangalore has launched a scheme to promote and protect traditional art and craft of South India. The project will encourage and support talented craftsmen by providing them an outlet for their works of art and craft. It will give them an opportunity to sustain themselves through the creations of their artistic expression. Through this service, ISKCON will communicate to the society, the value of Indian tradition and the need to recognize its importance in preserving our culture
and heritage.
When you carry home anyone of the exquisite pieces of art and craft outlet in the temple, you take home a valuable part of Indian Culture and also the satisfaction of lending a helping hand to an unknown genius.
